Aufstellung
Signaturbereich: MW 33-0000 bis 9999
Signatur | Titel | Verfasserangabe | Erschienen |
---|---|---|---|
Medieval music | Andrew Hughes | ||
Music in the Middle Ages | Suzanne Lord | ||
Style and symbol | by Andrew Hughes | ||
Music of the Middle Ages 1 | Giulio Cattin. Steven Botterill [Übers.] | ||
Music of the Middle Ages II | F. Alberto Gallo. Transl. by Karen Eales | ||
The Cambridge history of medieval music: Volume 1 | |||
The Cambridge history of medieval music: Volume 2 | |||
Medieval music | John Caldwell | ||
Medieval music | Richard H. Hoppin | ||
Anthology of medieval music | Richard H. Hoppin, ed. | ||
The Christian West and its singers | Christopher Page | ||
Histoire musicale du Moyen Age | Jacques Chailley | ||
Grundlagen der Musik des Mittelalters | Michael Walter | ||
Music in the medieval west | Margot Fassler | ||
Music in medieval Europe | Jeremy Yudkin | ||
Muziekgeschiedenis der middeleeuwen: D. 1 | |||
Music of the Middle Ages | David Fenwick Wilson | ||
Music in medieval and early modern Europe | Iain Fenlon [Hrsg.] | ||
Anfänge der abendländischen Musik | Ewald Jammers | ||
The cultural context of medieval music | Nancy van Deusen | ||
Music in the medieval world | Albert Seay | ||
Histoire de l'harmonie au moyen age | E. de Coussemaker | ||
Die Musik des Mittelalters | Christian Berger, Stefan Häussler | ||
Mönche, Bürger, Minnesänger | Peter Gülke | ||
Die Musik im Erziehungs- und Bildungsideal des ausgehenden Altertums und frühen Mittelalters | von Gerhard Pietzsch | ||
Companion to medieval and Renaissance music | ed. by Tess Knighton ... | ||
Mediterranean culture and troubadour music | Zoltán Falvy | ||
Der Spielmann im Mittelalter | Walter Salmen | ||
Der fahrende Musiker im europäischen Mittelalter | Walter Salmen | ||
Medieval instrumental dances | Timothy J. McGee | ||
Words and music in the Middle Ages | John Stevens | ||
Voices and instruments of the Middle Ages | Christopher Page | ||
Female-voice song and women's musical agency in the Middle Ages | edited by Anna Kathryn Grau and Lisa Colton | ||
Il poeta e la musica | Uberto Malizia | ||
Les modes et les tons de la musique et spécialement de la musique médiévale | Antoine Auda | ||
Hucbald, Guido, and John on music | transl. by Warren Babb. Ed., with introd. by Claude V. Palisca. Index of chants by Alejandro Enrique Planchart | ||
Die authentische Klangform des primitiven Organum | Walther Krüger | ||
The Polyphony of Saint Martial and Santiago de Compostela: 2 Edition | |||
The Polyphony of Saint Martial and Santiago de Compostela: 1 Text | |||
The Saint Martial polyphony | Jens Bonderup | ||
The earliest motets: 1 | |||
The earliest motets: 2 | |||
The earliest motets: 3 Indexes, critical notes, and bibliography | |||
L' art harmonique aux XIIe et XIIIe siècles | E. de Coussemaker | ||
Tractatuli, excerpta et fragmenta de musica s. XI et XII | Christian Meyer & Shin Nishimagi | ||
Die Lehre vom Organum, Diskant, Kontrapunkt und von der Komposition bis um 1480 | Ernst Apfel | ||
Repertorium organorum recentioris et motetorum vetustissimi stili: Abt. 1 Handschriften in Quadrat-Notation | |||
Repertorium organorum recentioris et motetorum vetustissimi stili: Bd. 2 Catalogue raisonné der Quellen | hrsg. von Luther A. Dittmer | ||
Repertorium organorum recentioris et motetorum vetustissimi stili: Abt. 2 Handschriften in Mensuralnotation | |||
Repertorium organorum recentioris et motetorum vetustissimi stili: Bd. 2 Musikalisches Anfangs-Verzeichnis des nach Tenores geordneten Repertorium | |||
Integrated directory of organa, clausulae and motets of the thirteenth century | Hendrik van der Werf | ||
Die drei- und vierstimmigen Notre-Dame-Organa | hrsg. von Heinrich Husmann | ||
Music education in the Middle ages and the Renaissance | ed. by Russell E. Murray, Jr., Susan Forscher Weiss, and Cynthia J. Cyrus | ||
Musica | Ubaldo di Saint-Amand. Introduzione, traduzione e commento a cura di Alessandra Fiori | ||
Die Organa und mehrstimmigen Conductus in den Handschriften des deutschen Sprachgebietes vom 13. bis 16. Jahrhundert | Arnold Geering | ||
Bibliographie der ältesten französischen und lateinischen Motetten | Friedrich Gennrich | ||
Florilegium motetorum | hrsg. von Friedrich Gennrich | ||
Worcester Add. 68, Westminster Abbey 33327, Madrid, Bibl. Nac. 192 | von Luther Dittmer | ||
Oxford, latin liturgical d 20, London, Add. Ms. 25031, Chicago, Ms. 654 app. | Faksimile, Einleitung, Register und Transcriptionen von Luther Dittmer | ||
Paris 13521 & 11411 | von Luther Dittmer | ||
The style of the early motet (c. 1200-1250) | Finn Mathiassen. [Transl. by Johanne M. Stochholm] | ||
Notre-Dame and related conductus: Pt. 8 1 pt conductus | |||
Notre-Dame and related conductus: Pt. 5 2 pt conductus | |||
Notre-Dame and related conductus: Pt. 2 Three-part conductus in the central sources | |||
Notre-Dame and related conductus: Pt. 1 Four- and three-part conductus in the central sources | |||
Notre-Dame and related conductus: Pt. 4 Two-part conductus in the central sources | |||
Notre-Dame and related conductus: Pt. 9 Three-part conductus in related sources | |||
Notre-Dame and related conductus: Pt. 10 Two-part conductus in related sources | |||
Notre-Dame and related conductus: 3 2 pt conductus | |||
Notre-Dame and related conductus: Pt. 6 1 pt conductus | |||
Der musikalische Satz der Notre-Dame-Conductus | |||
The Rhythm of the twelfth-century polyphony | by William G. Waite | ||
Das Klauselrepertoire der Handschrift Saint-Victor (Paris, BN, lat. 15139) | Fred Büttner | ||
The two-part Clausulae of ms. Wolfenbüttel 677 | Donald Dale Colton | ||
Der Discantussatz im Magnus liber und seiner Nachfolge | Rudolf Flotzinger | ||
Beobachtungen zur Notre-Dame-Handschrift W 1 und ihrem 11. Faszikel | Rudolf Flotzinger | ||
French 13th-century polyphony in the British Library | Mark Everist [Hrsg.] | ||
Die Notre-Dame-Organa der Handschrift W 2 | Sibylle Brunner | ||
Studien zur mittelalterlichen Dreistimmigkeit | Ann-Katrin Zimmermann | ||
Ars antiqua | ed. by Edward H. Roesner | ||
Polyphony in medieval Paris | Catherine A. Bradley, University of Oslo | ||
Worcester mediaeval harmony of the thirteenth & fourteenth centuries | Anselm Hughes. With a preface by Ivor Atkins. Mit einer Einl. von Luther A. Dittmer | ||
The Montpellier Codex: Pt. 2 Fascicles 3, 4, and 5 | |||
The Montpellier Codex: Pt. 1 Critical commentary. Fascicles 1 and 2 | |||
The Montpellier Codex: Pt. 3 Fascicles 6, 7, and 8 | |||
Anlage und Struktur der Motetten im Codex Montpellier | Ernst Apfel | ||
Klang und Konstruktion in der englischen Mehrstimmigkeit des 13. Jahrhunderts | Fred Büttner | ||
Music, scholasticism and reform | T.J.H. McCarthy | ||
Studien zu Klangraum und Klangordnung in der Motette der späten Ars antiqua | Ludwig Seel | ||
Von Leonin zu Perotin | Rudolf Flotzinger | ||
Das sogenannte Organum | Rudolf Flotzinger. Hrsg. von Federico Celestini und Gregor Kokorz | ||
Music in early Christian literature | ed. by James McKinnon |